12 Tips to Get Better, If You’re Good at Drawing But Bad at Painting
It’s not a crazy thing that some artists can be good at drawing but bad at painting.
It is actually pretty common as both require different types of training, practice and skills.
But what do you do when you want to stop sucking at painting and be as good at painting as you are at drawing?
You follow my 12 pro tips for getting better.
12 Pro Artist Tips To Get Better At Painting
If you’re already good at drawing, and want to get better at painting, then you’re in luck.
Getting better at painting if you can draw is easier than the other way around.

Getting better at painting involves a combination of practice, learning new techniques, and understanding the unique aspects of painting as a medium.
Here are some pro artist tips to help you improve:
#1 Draw something and apply a few paint colors to it
Sounds crazy but I used to make my own color by number paintings as a kid. I would trace my favorite fan art or movie star image and then apply layers of paint.
I would even apply shading with a pencil as I was good at it. After I would go over the pencil shading with a brush and paint. I’d apply a light layer and then blend it in.
It’s a simple technique but trust me it works. You are cross training your brain to paint the same way you draw.
Once you’re good at this technique, learning to paint properly is much easier.
#2 Practice Regularly
Just as with drawing, improvement in painting comes with consistent practice. Set aside dedicated time for painting and experiment with different styles and techniques.
#3 Study Color Theory
Understanding color theory is crucial for painting. Learn about primary, secondary, and tertiary colors, as well as concepts like hue, saturation, value, and how colors interact with each other.
#4 Experiment with Different Mediums
Try different painting mediums like watercolor, acrylics, or oils. Each has its own characteristics and techniques. Exploring these can help you find the one that best suits your style.
#5 Learn from Tutorials and Classes
There are numerous online tutorials, workshops, and art classes that can provide structured learning. These resources often offer step-by-step guidance and tips from experienced artists.
#6 Study the Work of Masters
Analyze paintings by renowned artists. Pay attention to their use of color, brushwork, and composition. Try to replicate some of these works to understand the techniques used.
#7 Get Feedback
Share your work with others and be open to constructive criticism. Feedback from fellow artists, teachers, or art communities can provide valuable insights into areas for improvement.
#8 Focus on Composition and Perspective
Utilize your drawing skills to plan your compositions and perspectives before you begin painting. Good composition is key to a successful painting.
#9 Experiment with Brushes and Tools
The type of brush and tools you use can significantly affect your painting. Experiment with different sizes and shapes to understand their effects.
#10 Keep a Sketchbook
Continue to draw regularly. Sketching ideas can be a great way to plan out paintings and keep your drawing skills sharp.
#11 Patience and Persistence
Remember that mastering painting, like any art form, takes time and patience. Be persistent and don’t get discouraged by initial challenges.
#12 Mindset Shift
Embrace the fluidity and unpredictability of paint as a medium, which can be quite different from the control often experienced in drawing.
By integrating these practices into your artistic journey, you can pretty quickly bridge the gap between your drawing skills and your dream of becoming better at painting.
How can it be that someone is good at drawing bad at painting?
Painting and drawing are two completely different forms of visual art making.
They use different media, different tools and the artist uses a different approach to create each.
So it makes sense that an artist might understand the mechanics of one without fully understanding the other.
When an artist draws a picture, that picture represents the outline of a figure or some type of object that is created by connecting lines around space.
On the other hand, a painting is created by applying color to a solid surface, such as canvas, in masses that can be representational or non-representational, as is the case with abstract painting.
In painting, dimensionality is created by the painting’s values of tightness and darkness.
In drawing, the darkest light must always be lighter than the lightest shadow, and these things are created by using lines, either densely situated, or spaced farther apart to make lighter areas.
A painting can sometimes be mapped out by using a drawing as a guideline, but it transforms into something completely different by the time it is finished.
Therefore, someone can be a skilled drawer, yet not understand the principles behind applying color to a canvas in a different representational form.
Perception
Painting requires a completely different perception than that used for drawing.
Its goal is to translate a color story from a three dimensional form into only two dimensions by creating shapes created from color to create masses on a canvas.
The artist strives to control the color and its values (shades from light to dark) to create illusions of masses in space. Learning how to do this takes great patience and a lot of practice.
Drawing requires perception of three dimensional objects into a linear interpretation using intersecting lines and illusions of specified spaces.
Its tools are instruments such as pens and ink, pencils, colored pencils on various surfaces.
Building art through drawing and painting
When an artist paints, the base layer is usually one consistent color.
Then, he or she uses other colors to give the illusion of space either receding or coming forward.
Highlights can create the illusion of an object coming forward, while lowlights, or darker colors can give the impression that the object is farther away in space.
When drawing, the artist can also use a building technique, but can also use simple lines, depending on how three dimensional he or she wants the rendering to appear.
While a painter might add white paint to make a nose on a face seem more three dimensional, one who is drawing might simply leave that part of the drawing surface blank and allow the color of the paper to show through.
Lines called hatchmarks made with closely set vertical and intersecting horizontal lines can be used with pencil to give the illusion of shadows, while in a painting, a dark color would completely fill a space in graduating values to represent the natural light.
Materials used
A person can master drawing by using pencils, pens and ink, inked brushes and so forth, but might not be able to recreate his or her drawing in the form of a painting, because a different set of tools is required.
Paint itself, is pigment that is suspended in oil or synthetic oil or a water base, and it responds differently on the surface to which it is applied than the graphite of a pencil does.
Mastering the use of a pencil or a pen does not necessarily imply that the skilled drawer can automatically go from the pencil to the paintbrush loaded with pigment.
The applications are completely different.
Problem solving
Another reason why an artist might be a good at drawing bad at painting is the issue of problem solving.
A mistake made during a pencil drawing, for example, can usually be resolved by use of an eraser.
A mistake made in a painting, however, must be solved in a completely different way, using paint or various mediums to create texture or smoothness, as desired.
They require completely different skill sets.

Joseph Colella (Joe Colella) is an Editor and Writer at WastedTalentInc. As a frustrated artist with over 40 years experience making art (who moonlights as a certified Business Analyst with over 20 years of experience in tech).
While Joseph holds a Diploma in Information Technology, in true wasted talent fashion he spent years applying for various Art degrees; from the Accademia di Belle Arti (Napoli), to failing to get into the Bachelor of Arts (Fine Arts) at the University of Western Sydney.
While he jokes about his failures at gaining formal art qualifications, as a self-taught artist he has had a fruitful career in business, technology and the arts making Art his full time source of income from the age of 18 until 25.
His goal is to attend the Julian Ashton School of Art at The Rocks Sydney when he retires from full time work. Joseph’s art has been sold to private collectors all over the world from the USA, Europe and Australasia.
He is a trusted source for reliable art advice and tutorials to copyright/fair use advice and is committed to helping his readers make informed decisions about making them a better artist.

